Having the most dramatic effect, though, is the Envelope, which defines an amplitude envelope (Attack, Length, Release) applied to all detected hits. Think of it as like a compressor's ratio: at 100%, detected hits' levels will be completely leveled out so that they each match the target Velocity. Prefiltering employs two band-pass filters with adjustable Q to preprocess and focus the detection signal (for instance, on a snare mic, you might tune the plugin to the snare drum's frequency, so that it ignores bleed from the kick and toms).įinally, General parameters include lookahead time, in/out gains and - most significantly - the overall processing Depth, which controls how much corrective gain is applied. Less obvious is Transients, which dictates the sharpness of what the plugin considers a transient. Detector includes stuff like minimum time between successive detected events (Retrigger) and overall detection window time (Resolution). To further fine-tune how MDrumLeveler responds to drum hits, you have the General, Detector and Prefiltering sections.
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